‘Killing the Dominant Narrative: Geopolitics and Training for the Future’, MARCH

Arrivati (La Toya Manly-Spain and Asuquo Udo) & Schwabinggrad Ballett (Liz Rech and Nikola Duric), 2019.

Training for the Future was an initiative developed by Studio Jonas Staal in conjunction with the 2019 Ruhr Triennale curated by Florian Malzacher and presented last fall (September 20-22). The “utopian training camp” was held in the impressive Jahrhunderthalle, a former gas powerstation cum Kraftwerk für Kultur set on the edge of Bochum, Germany’s sprawling Westpark. The site of a former steel works, it was revived for recreational and cultural purposes with circular pathways, spiralling bridges and staircases winding around landmark industrial ruins. 

 Read at MARCH Journal for Art & Strategy.

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