|Marcelo Evelin and Demolition Incorporado, ‘‘A Invenção da Maldade’ (The Invention of Evil)’, 2019. |
Photo: Sumugan Sivanesan
If art is an indicator of social wellbeing, Gropius Bau is an example of how major institutions act as intermediaries between state sponsors, corporate interests and their publics, suggesting the curatorial power to shape ethics. ‘CONNECT, BTS: Rituals of Care’ was part of an initiative to bring together contemporary art and pop music audiences, set up by South Korean boy band BTS. Curated by Stephanie Rosenthal, director of Gropius Bau, and Noémie Solomon and in collaboration with CONNECT, BTS art director Daehyung Lee, the series sought to explore the relationship between performance and healing; from somatic states to spiritual practices. The building was proposed to be a “conversation partner” with works that resonate with its history and physicality.
Opened in 1881 as a Museum of Applied Arts, Gropius Bau was left as a ruin after World War II. Re-opened in 1981, it stood on the border between East and West Berlin during the Cold War. The museum’s Lichthof atrium is a grand light-filled space distinguished by its patterned tiles, gilded columns and arched ceilings. I expect it was an intimidating interlocutor.
Read at Berlin Art Link
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