‘Data Science Friction’, springerin, 03/2019


Asunder (2019), Tega Brain, Julian Oliver and Bengt Sjölén, Vienna Biennale for Change 2019: Brave New Values: Shaping Our Digital World. Photo: courtesy of artists.

On the AI-based eco-management system Asunder (2019) by Tega Brain, Julian Oliver and Bengt Sjölén.

How to manage the transition of Earth’s climate into something that is less suitable for human flourishing is a polarising issue. One solution being forwarded by tech industries is to develop data-driven computational systems which prioritise ecological agendas and mitigate human influences. Such methods of ‘painting humans out of the picture’ (Cantrell et al. 2017) is often put forth as a neutral, rational and depoliticised means of managing environments. Asunder (2019) addresses such assumptions of computational neutrality and the ideological framing of the environment as system – an ecosystem – that can be monitored and managed. An AI-driven ‘autonomous environmental manager’, Asunder arises from a collaboration between artist and ‘eccentric engineer’ Tega Brain (New York City), artist and ‘critical engineer’ Julian Oliver (Berlin) and artist, independent software/hardware designer and hacker Bengt Sjolén (Stockholm) commissioned for Vienna Biennale for Change 2019: Brave New Values: Shaping Our Digital World.

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